“Mohabbat hai kya cheez,humko batao
Yeh kisne shuruki, hume bhi sunao!”
Undoubtedly, Rishi if we take Bollywood. He came. He saw. He conquered. Not one but a billion hearts in India, and across the globe. If one thinks of Bollywood and romance, the first face that unmistakably comes to the mind is Rishi Kapoor. No doubt, he was a versatile actor. However, like Amitabh Bachchan is the quintessential ‘angry young man’ of Hindi cinema, Rishi Kapoor is the trendsetter ‘chocolate boy’, who has definitely been a huge inspiration for other romantic heroes like the Khans, Kapoors and other actors of the younger generation. Romancing heroines for over four decades with an undeniable charm, can anyone in Bollywood deny the influence of Rishi Kapoor on their onscreen romance?
Romantic camaraderie of Rishi in the 70s
Romantic spark of Rishi in the 80s
“Tu to hai wahi, dil ne jise apna kaha…” became the calling of Rishi in the 80s. The dream of almost every director who planned for a romantic comedy, Rishi became effortlessly endearing. In the 80s, we see the chocolate boy amorously engaging with leading ladies like Padmini Kolhapure, Tina Munim (later Ambani), Poonam Dhillon, Farah Naaz, Moushumi Chatterjee and Sridevi, among others. Romance came as easily to Rishi as breathing.
We can’t help remembering the movie Bobby again when we find Rishi serenading Dimple with a guitar humming “…Sagar jaisi aankhonwali, yeh toh bataa tera naam hai kya…!” in Sagar (1985). But Karz gained more prominence in Rishi’s romantic career in the 80s. The deewana (Monty) in “Ek Hassena tha, ek deewana tha, kya umar, kya shama, kya zamanna tha…” in Karz (1980) is unforgettable. In a love story of reincarnation, murder, revenge and supernatural thrills, Rishi reigns high and lends credibility with his convincing acting prowess into an otherwise unbelievable storyline. ‘Prem Rog’ (1982) launched Rishi as an unconventional lover named Devdhar who dared to defy societal norms and fall in love with a widow. No one can forget the innocent vulnerable expressions of a dejected Devdhar (Rishi) in the song “Yeh galiyam yeh chaubara, yahan ananadobara…” where Manorama (Padmini Kolhapure) is dancing in a baby pink with a doll-like countenance. The expressions of an unreciprocated love could not have been better than that portrayed in this song by Rishi. The pure love of Dev and Manorama won innumerable hearts. Undoubtedly, Prem Rog was ranked as one of its top ten ‘most romantic films ever’ by Cosmopolitan magazine.
Sridevi-Rishi chemistry was much noticed in films like Chandni (1989) and Nagina (1986). Every time we see Rishi canoodling a leading lady onscreen, we feel the equation could not have been better, but each time, he proves us wrong. He got better. Every lady was at ease in his arms. When Rohit (Rishi) hums “Chandni, O Meri Chandni..” and sprinkles red rose petals from the helicopter, many hearts would have melted envisioning such a charismatic lover. Though the film focused on the titular Chandni, the audience could not ignore the all-encompassing, passionate lover Rohit, who overcomes his disability with lot of effort just to be with his Chandni. Nagina became the second highest grossing Indian film of 1986, minting Rs 13 crore at the box office. Apart from the outstanding performance of Sridevi, a big onus of the success goes to lover boy Rishi who is charming enough to woo a snake-lady too!
Rishi’s Romantic overtures in the 90s
The 1990s established Rishi as a mature lover with his chocolate boy image metamorphosing into a teddy bear who loved to wrap his pouch in a sweater in most films. Nevertheless, his romantic appeal persisted. His weight-gain never affected his handsome face and excellent acting. From 1990 to 1999, he has appeared in 30 films and most of those belonged to the romantic genre. We witness Rishi’s onscreen clandestine meetings and running around trees with stars like Juhi Chawla, Madhuri Dixit, Divya Bharti, Meenakshi Sheshadri and Sridevi, among others.
The camaradie of Rishi with Madhuri had a unique appeal. Their ‘Prem Granth’ (1996) though a commercial failure echoed Prem Rog in many ways. Yet again, Somen (Rishi) emerged as a compassionate lover of a lower-class rape victim Kajri (Madhuri). Somen here emerges as the sensitive lover who is not even mildly reluctant to marry a rape victim in a largely patriarchal society that looks at rape victims as sinners.
Rishi’s amorous adventures in the millennium
Rishi in Veer Singh Panesar in ‘Love Aaj Kal’ (2009) contrasts the old-world simple love as against the romantic relationships between the confused couples of the millennium. Veer Singh is a kind of ‘love guru’ who shows the path for the ever-confused Jai Vardhan Singh (Saif Ali Khan) and Meera Pandit (Deepika Padukone).
Veer’s pure love for Harleen Kaur becomes a torchbearer for the young lovers. From a sensitive lover boy to a reckless and irresponsible lover to a responsible husband and a guide in love, Rishi does it all – with an original flair and flamboyance!
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