….Dr. P. Dalai
While similar forms of fermented rice are consumed in other parts of eastern, central, and southern India—across Bengal, Assam, Keralam, and Jharkhand—pakhala occupies a uniquely deep cultural and emotional space in Odisha. Its significance extends beyond mere sustenance. It is offered to the deities of Shree Jagannath Temple, blurring the lines between the physical and the metaphysical, the mundane and the divine. In this sense, Odia fermented rice becomes a living illustration of what Émile Durkheim described as the interplay between the sacred and the profane. It is not just food for the body but a cultural medium that symbolically connects human appetite with spiritual devotion. Thus, it stands as more than a culinary tradition—it embodies the intertwined agricultural rhythms and spiritual ethos of Odisha.
Pakhala, a bowl of fermented rice immersed in water, is humble in its composition yet remarkably versatile in taste. It is best enjoyed with an array of accompaniments, such as salt, curd, lemon, onions, green chillies, fried vegetables, or even fish fries. These additions not only heighten its flavour but also enrich its nutritional value, transforming a modest preparation into a balanced and deeply satisfying meal. At its core, it stands as a quintessential subaltern dish, often described as the “poor man’s gruel”. Its accessibility and simplicity make it a staple among those who rely on on simple, readily available ingredients.
Traditionally, pakhala is prepared by soaking leftover or freshly cooked rice in water, and allowing it to ferment overnight. As it slowly ferments, a slow transformation occurs: the rice develops a mildly tangy, sour, and refreshing character. With longer fermentation, the flavour deepens into a distinctive zest that defines its unique taste and temperament. As I often joke with my non-Odia friends, mid-summer may not be the best time to visit Odia offices for urgent work—because you might find officials blissfully surrendering to the languid charm of a hearty fermented meal, drifting into a brief, contented stupor. Such are the delightful “mid-summer illusions” of the pakhala-loving Odia.
According to Jagannath tradition, a variety of fermented rice preparations—ranging from flavoured fermented rice and curd-based fermented rice to sweeter variants infused with jasmine, lemon, or butter—are offered to the deities of the Jagannath Temple. Deeply woven into Jagannath culture, pakhala forms an integral part of the sacred Chhappan Bhoga, the revered ensemble of 56 offerings. Even today, tanka torani (fermented rice water) retains its ritual importance in temple and visitors can still partake in this living tradition. Over time, several variants of pakhala have evolved and endured: Basi Pakhala (overnight fermented), Saja Pakhala (freshly prepared), Dahi Pakhala (with yoghurt), and more.
Through these ritualistic and culinary threads, pakhala carries a distinctive legacy of origin, history, authenticity, and cultural dignity. Rarely does one find a food so seamlessly shared between the divine and the devotee, in Odisha, it transcends the boundary between mortal sustenance and sacred offering, making it truly exceptional in both spirit and practice.
Climatically and geographically, pakhala may be seen as a dietary gift to Odisha shaped by its proximity to Bay of Bengal. The sea yields fish and salt, the fertile plains provide rice, and the region’s frequent natural challenges have long encouraged reliance on such accessible and resilient forms of nourishment. Thus, it is more than culinary preference; it is a survival strategy forged by coastal ecology, humid climate, economic realities, and historical experience.
Though it now appears in modern avatars in cities, clubs, hotels, and elite gatherings, its soul remains tied to the frugal world of the Odia peasantry. For generations of labourers toiling under the harsh sun, it has offered both sustenance and solace—embodying the profound link between food, labour, and environment.
(The writer is Professor at the Department of English, Faculty of Arts, Banaras Hindu University)















